A Scherzo A Shy Persons Wishes Analysis Essay Example for Free

A Scherzo A Shy Persons Wishes Analysis Essay What is the mood of A Scherzo A Shy Persons Wishes. How is the mood conveyed and what effect does it have on our understanding of the central message of the poem and the writers persona. How effective do you think the poem is? The mood in A Scherzo a Shy Persons Wishes changes and varies through the poem. Firstly the title has scherzo written which means briskly live music. This shows that the person is very lively but the poem doesnt show it, on the sunny wall out of tip-toe reach. As well tip-toe reach stands out because it shows it is close to going out. In the poem the word with and whisper is repeated through the poem which this shows alliteration. This gives a whisper feel through the poem which shows that its thinking quietly but title says he is lively. Plus there is internal alliteration. This makes the poem slow down and shows the person is anxious, With the nut in the shell, with the seed in the pod. The again shows that the poem has a lot internal alliteration. This poem has a flowing mood but lyrical at times. When its flowing its a calm mood like the person is describing the outdoors like it has never seen it, With the wasp in its inner most peach. The lyrical mood shows at times it is a lively showing it is lively which is why scherzo is used for the title, In the woodbines horn with the drunken bee. All this shows that the person is very lively but in a trapped ready to run out singing and shouting. Now I will talk about the persona. The poem shows a lot that the person is trapped in an area and cant get out no matter how close it gets to the outdoors, out of tip-toe reach. As well the poem shoes the persons claustrophobic showing its in a small area which probably shows why it a shy person on the outside but lively in the inside. The title shows this in a clever way because it first says scherzo showing it is a lively person, but then says A shy persons wishes which then explains that its shy but wants to change to a lively person in the outdoors singing and dancing. A quote to show its shy says to be crouched with the beast in its torrid layer shows its stuck in a dark hole but cant gat out. With the person being stuck he/she is bored which is not what a shy person is like when hes alone but he is. This shows he likes communicating and singing, quiet to lie, and dreamless to sleep. But then at times the person shows he is still a bit shy, With things that are timid, and shy, and free, the next line says Wishing to be, then this changes it all showing he is still shy. But at the end it says Anywhere, anywhere, out of this room! which ends it all saying the person wants to go out and not stay in its timid layer. All this shows a lively character with a bit of shyness left in him. The central message in the poem is shown clearly throughout the poem. The central message shows the felling of the person in a strong way. Firstly it talks about nature in a flowing way so it sounds like he/she is describing what it looks like outside. Throughout it continues to describe the outdoors. This gives a calm feeling to the person and shows what he wants to do when he goes out. As well this shows he thinks is lively. At line 26-29 he says he would be in any of the three examples he/she says and this is backed up by the last line which is Anywhere, anywhere, out of this room! shows that he wants to leave his shyness and become lively, and leave his dark hole behind.

The Health Care Crisis :: American Health Insurance Essays

It is hard to imagine life without health insurance. If you have any type of medical problem that requires attention, and you have appropriate health care insurance, you can be cared for in the finest of private hospitals. You can get great treatment and your ailments, depending on the severity, can be treated as soon as possible. Doctors, physicians and surgeons are willing to put out a big effort if they know that they are dealing with patients who are insured and have the money to go under extensive medical treatment. But imagine life without such luxuries. For example, what happens if a relative requires much needed surgery, but does not have health insurance to cover the procedure? What happens if a lack of medical insurance prevents you or your family from seeing a doctor, which could result in health problems that had not been identified but could have been treated before they became life threatening? These scenarios may seem far-fetched, but these types of s ituations happen to people who lack health coverage everyday. There is a true story about a patient who was insured and diagnosed with treatable cervical cancer. Unfortunately, she lost her job and with it her insurance. She was then unable to see her private doctor, and was turned away from other hospitals because ?cancer treatment is not considered an emergency in a patient who can?t pay? (?Help for D.C.?s Uninsured?). The woman later died at her home without ever being treated. This example raises the question, since when are people with less money less deserving of health care or appropriate treatment? The District of Columbia fares terribly when it comes to health care. Avram Goldstein is a journalist from the Washington Post who has written numerous articles on the health care situation in D.C. Goldstein has worked for the Post for nine years but has been covering health care for numerous years as an investigative reporter and as an editor in many newspapers. As an expert on the issue of health care, he states in one of his articles, ?If you live in the District without health insurance or a regular doctor and you get sick, city officials and health administrations have an important message for you.

Comparing”Cask of Amontillado” with “The Rats in the walls”

Compare the narrator in Poe's â€Å"Cask of Amontillado† with the narrator of â€Å"The Rats in the walls.† The style and mode of narration in any story determines how appealing a narrator becomes to his or her readers. Additionally, this has much to do with the size of readership that the narrator garners. It is worthwhile that a narrator chooses a narration style that reflects the context of the story, captivating and which gets the reader engaged and involved throughout the narration. This narration will have significant implications for the reviews as well as comments that the reader will make which translate to more or fewer people seeking to read the narrators story. The narrators in â€Å"Cask of Amontillado† and â€Å"The Rats in the Walls† share much in common about their styles, approaches, themes, and appeal to the reader although they differ substantially in some respects. â€Å"Rats in the Walls† is narrated by the last survivor of Delapore family who moves from Massachusetts to his ancestral homeland, Exham Priory in England. On multiple instances, the Delapore and his cats hear the scurrying sounds of rats behind the ways and upon investigation find a city below the subcellar of his home, which has existed for centuries and the dwellers of this underground city fed on human flesh (Lovecraft 4). The narrator in â€Å"The cask of Amontillado† is Montresor, seemingly a gentleman, but in reality, a vindictive and vengeance filled person. (Poe 1). Montresor commits a murder and is unrepentant and guiltless of his deed because he thinks that all, he did and does is right. Most of the time, Montresor is dedicated to his viewpoint which is quite cold, vengeful, brutal, and conniving. He lures his friend, Fortunato, to tunnels and tombs underground, drugs him and locks him in chains, walls him and leaves him in his position to die slowly (Poe 5). Montresor and Delapore exhibit a great deal of quality in their narration style. The tales are given from their points of view and involve crimes, and horrendous acts that get the reader aroused and somewhat scared. They keep a great deal of suspense to maintain the reader and ensure he or she follows to the end. Both narrators, however, could be questioned regarding reliability although they have various levels of any security that could be noted (Lovecraft 8).They seem to have some mental problems which make them act in ways unnatural and do things that would naturally be abominable to sane people. The fact that we have difficulties trusting the narrators question their reliability. Montresor, first, tells the story of the crime he commits fifty years later saying that he was never caught for this. Now, trusting someone telling things that happened many years ago can be difficult because in many cases, things surface a short time after they have been done. Confessions are made, or details unveiled not very long after. Walling his friend and leaving him to die with little to no remorse characteristically defines the possibility of soundness implying that he could probably not be entirely sane. This could make him be considered unreliable (Poe 8). Delapore, similarly, exhibits a high level of unreliability. He presents the story in a way that the things happen in the supernatural realm. This elicits fiction rather than reality, and the details raise many questions because few readers would be accustomed to the nature of things that unfold throughout the narration. Eating human flesh would be an act expected of animals or an unbalanced mind. There is an element of mental issue with the narrator, and this would make him unreliable (Lovecraft 10). Constant sounds of rats in the walls which are never found raise questions as to whether substantial evidence can be gathered to support the points raised in the narration. The default the tone by the narrators is one that conveys abject panic, fear, and impending doom. The mood they employ precedes or supersedes events which could reasonably justify it. Mostly, they share much in common in the narration technics, emotions, feelings, and atmospheres. However, they also differ in some ways. Delapore narrates in a setting of a family background rich in mystic scenarios. This is evident in the declaration of the finding of bones in the underground of the Priory(Lovecraft 14). Montresor narrates from a setting of being insulated which leads him to revenge (Poe 1). The motivations behind the narration are entirely different Delapore is motivated by the desire to unravel a family background which influenced him to act and behave in the way he did. Montresor is affected by the desire to resolve the dampness of his surroundings which exert pressure on him to react in a manner to repay for what has been done against him. The levels of the unreliability of the stories also differ. Delapore is somewhat fictitious in his narration and to some extent narrates from an insane person. Delapore is profoundly unreliable because the details are hard to prove in the real world from which the readers view the content of the narration (Lovecraft 16). Montresor can be termed unreliable, but the extent is not as deep because there are actual details which offer significant proof of turn of events with a human element. While for the most part, he remains unrepentant and self-justifying of the crime he commits, there is a portion where he notes his heart grew sick after he had only a brick left to seal Fortunato forever. However, he withdraws from guilty and accuses his surroundings instead. The narration is better regarding reliability as compared to Delapore. The narrative by Montresor is mostly a revenge mission which happens in the real world giving greater credit to the details (Poe 14). For Delapore, the narration based on the occult is something that questions the credibility and reliability of the details. Overall, however, there is much held in common with a few differences inherent for the narrators the nature of narration and story details. Works citedLovecraft, Howard Phillips. The Rats in the Walls. New York: WS via Publish Drive, 2018. PrintPoe, Edgar Allan.  The Cask of Amontillado. Publisher Not Identified, 2016.

Comparing”Cask of Amontillado” with “The Rats in the walls”

Compare the narrator in Poe's â€Å"Cask of Amontillado† with the narrator of â€Å"The Rats in the walls.† The style and mode of narration in any story determines how appealing a narrator becomes to his or her readers. Additionally, this has much to do with the size of readership that the narrator garners. It is worthwhile that a narrator chooses a narration style that reflects the context of the story, captivating and which gets the reader engaged and involved throughout the narration. This narration will have significant implications for the reviews as well as comments that the reader will make which translate to more or fewer people seeking to read the narrators story. The narrators in â€Å"Cask of Amontillado† and â€Å"The Rats in the Walls† share much in common about their styles, approaches, themes, and appeal to the reader although they differ substantially in some respects. â€Å"Rats in the Walls† is narrated by the last survivor of Delapore family who moves from Massachusetts to his ancestral homeland, Exham Priory in England. On multiple instances, the Delapore and his cats hear the scurrying sounds of rats behind the ways and upon investigation find a city below the subcellar of his home, which has existed for centuries and the dwellers of this underground city fed on human flesh (Lovecraft 4). The narrator in â€Å"The cask of Amontillado† is Montresor, seemingly a gentleman, but in reality, a vindictive and vengeance filled person. (Poe 1). Montresor commits a murder and is unrepentant and guiltless of his deed because he thinks that all, he did and does is right. Most of the time, Montresor is dedicated to his viewpoint which is quite cold, vengeful, brutal, and conniving. He lures his friend, Fortunato, to tunnels and tombs underground, drugs him and locks him in chains, walls him and leaves him in his position to die slowly (Poe 5). Montresor and Delapore exhibit a great deal of quality in their narration style. The tales are given from their points of view and involve crimes, and horrendous acts that get the reader aroused and somewhat scared. They keep a great deal of suspense to maintain the reader and ensure he or she follows to the end. Both narrators, however, could be questioned regarding reliability although they have various levels of any security that could be noted (Lovecraft 8).They seem to have some mental problems which make them act in ways unnatural and do things that would naturally be abominable to sane people. The fact that we have difficulties trusting the narrators question their reliability. Montresor, first, tells the story of the crime he commits fifty years later saying that he was never caught for this. Now, trusting someone telling things that happened many years ago can be difficult because in many cases, things surface a short time after they have been done. Confessions are made, or details unveiled not very long after. Walling his friend and leaving him to die with little to no remorse characteristically defines the possibility of soundness implying that he could probably not be entirely sane. This could make him be considered unreliable (Poe 8). Delapore, similarly, exhibits a high level of unreliability. He presents the story in a way that the things happen in the supernatural realm. This elicits fiction rather than reality, and the details raise many questions because few readers would be accustomed to the nature of things that unfold throughout the narration. Eating human flesh would be an act expected of animals or an unbalanced mind. There is an element of mental issue with the narrator, and this would make him unreliable (Lovecraft 10). Constant sounds of rats in the walls which are never found raise questions as to whether substantial evidence can be gathered to support the points raised in the narration. The default the tone by the narrators is one that conveys abject panic, fear, and impending doom. The mood they employ precedes or supersedes events which could reasonably justify it. Mostly, they share much in common in the narration technics, emotions, feelings, and atmospheres. However, they also differ in some ways. Delapore narrates in a setting of a family background rich in mystic scenarios. This is evident in the declaration of the finding of bones in the underground of the Priory(Lovecraft 14). Montresor narrates from a setting of being insulated which leads him to revenge (Poe 1). The motivations behind the narration are entirely different Delapore is motivated by the desire to unravel a family background which influenced him to act and behave in the way he did. Montresor is affected by the desire to resolve the dampness of his surroundings which exert pressure on him to react in a manner to repay for what has been done against him. The levels of the unreliability of the stories also differ. Delapore is somewhat fictitious in his narration and to some extent narrates from an insane person. Delapore is profoundly unreliable because the details are hard to prove in the real world from which the readers view the content of the narration (Lovecraft 16). Montresor can be termed unreliable, but the extent is not as deep because there are actual details which offer significant proof of turn of events with a human element. While for the most part, he remains unrepentant and self-justifying of the crime he commits, there is a portion where he notes his heart grew sick after he had only a brick left to seal Fortunato forever. However, he withdraws from guilty and accuses his surroundings instead. The narration is better regarding reliability as compared to Delapore. The narrative by Montresor is mostly a revenge mission which happens in the real world giving greater credit to the details (Poe 14). For Delapore, the narration based on the occult is something that questions the credibility and reliability of the details. Overall, however, there is much held in common with a few differences inherent for the narrators the nature of narration and story details. Works citedLovecraft, Howard Phillips. The Rats in the Walls. New York: WS via Publish Drive, 2018. PrintPoe, Edgar Allan.  The Cask of Amontillado. Publisher Not Identified, 2016.

Comparing”Cask of Amontillado” with “The Rats in the walls”

Compare the narrator in Poe's â€Å"Cask of Amontillado† with the narrator of â€Å"The Rats in the walls.† The style and mode of narration in any story determines how appealing a narrator becomes to his or her readers. Additionally, this has much to do with the size of readership that the narrator garners. It is worthwhile that a narrator chooses a narration style that reflects the context of the story, captivating and which gets the reader engaged and involved throughout the narration. This narration will have significant implications for the reviews as well as comments that the reader will make which translate to more or fewer people seeking to read the narrators story. The narrators in â€Å"Cask of Amontillado† and â€Å"The Rats in the Walls† share much in common about their styles, approaches, themes, and appeal to the reader although they differ substantially in some respects. â€Å"Rats in the Walls† is narrated by the last survivor of Delapore family who moves from Massachusetts to his ancestral homeland, Exham Priory in England. On multiple instances, the Delapore and his cats hear the scurrying sounds of rats behind the ways and upon investigation find a city below the subcellar of his home, which has existed for centuries and the dwellers of this underground city fed on human flesh (Lovecraft 4). The narrator in â€Å"The cask of Amontillado† is Montresor, seemingly a gentleman, but in reality, a vindictive and vengeance filled person. (Poe 1). Montresor commits a murder and is unrepentant and guiltless of his deed because he thinks that all, he did and does is right. Most of the time, Montresor is dedicated to his viewpoint which is quite cold, vengeful, brutal, and conniving. He lures his friend, Fortunato, to tunnels and tombs underground, drugs him and locks him in chains, walls him and leaves him in his position to die slowly (Poe 5). Montresor and Delapore exhibit a great deal of quality in their narration style. The tales are given from their points of view and involve crimes, and horrendous acts that get the reader aroused and somewhat scared. They keep a great deal of suspense to maintain the reader and ensure he or she follows to the end. Both narrators, however, could be questioned regarding reliability although they have various levels of any security that could be noted (Lovecraft 8).They seem to have some mental problems which make them act in ways unnatural and do things that would naturally be abominable to sane people. The fact that we have difficulties trusting the narrators question their reliability. Montresor, first, tells the story of the crime he commits fifty years later saying that he was never caught for this. Now, trusting someone telling things that happened many years ago can be difficult because in many cases, things surface a short time after they have been done. Confessions are made, or details unveiled not very long after. Walling his friend and leaving him to die with little to no remorse characteristically defines the possibility of soundness implying that he could probably not be entirely sane. This could make him be considered unreliable (Poe 8). Delapore, similarly, exhibits a high level of unreliability. He presents the story in a way that the things happen in the supernatural realm. This elicits fiction rather than reality, and the details raise many questions because few readers would be accustomed to the nature of things that unfold throughout the narration. Eating human flesh would be an act expected of animals or an unbalanced mind. There is an element of mental issue with the narrator, and this would make him unreliable (Lovecraft 10). Constant sounds of rats in the walls which are never found raise questions as to whether substantial evidence can be gathered to support the points raised in the narration. The default the tone by the narrators is one that conveys abject panic, fear, and impending doom. The mood they employ precedes or supersedes events which could reasonably justify it. Mostly, they share much in common in the narration technics, emotions, feelings, and atmospheres. However, they also differ in some ways. Delapore narrates in a setting of a family background rich in mystic scenarios. This is evident in the declaration of the finding of bones in the underground of the Priory(Lovecraft 14). Montresor narrates from a setting of being insulated which leads him to revenge (Poe 1). The motivations behind the narration are entirely different Delapore is motivated by the desire to unravel a family background which influenced him to act and behave in the way he did. Montresor is affected by the desire to resolve the dampness of his surroundings which exert pressure on him to react in a manner to repay for what has been done against him. The levels of the unreliability of the stories also differ. Delapore is somewhat fictitious in his narration and to some extent narrates from an insane person. Delapore is profoundly unreliable because the details are hard to prove in the real world from which the readers view the content of the narration (Lovecraft 16). Montresor can be termed unreliable, but the extent is not as deep because there are actual details which offer significant proof of turn of events with a human element. While for the most part, he remains unrepentant and self-justifying of the crime he commits, there is a portion where he notes his heart grew sick after he had only a brick left to seal Fortunato forever. However, he withdraws from guilty and accuses his surroundings instead. The narration is better regarding reliability as compared to Delapore. The narrative by Montresor is mostly a revenge mission which happens in the real world giving greater credit to the details (Poe 14). For Delapore, the narration based on the occult is something that questions the credibility and reliability of the details. Overall, however, there is much held in common with a few differences inherent for the narrators the nature of narration and story details. Works citedLovecraft, Howard Phillips. The Rats in the Walls. New York: WS via Publish Drive, 2018. PrintPoe, Edgar Allan.  The Cask of Amontillado. Publisher Not Identified, 2016.

International Business Management Essay - 620 Words

Q3: If you were Mr. Shuhei, how would you categorize your problems and solutions? What was as short-term and what was a long-term problem? Standing as Mr. shuhei’s point of view, I would like to concentrate on the overall manufacture framework, which was how Toyota was running its oversea business in the historical strategy chosen and market response in the following fiscal year. Toyota has two main largest oversea markets, North America and Europe. At first, I want to focus on comparing the two main oversea markets. For the North America, Toyota had more than 60% of entire sales were manufactured locally. Unlike North America, over 75% of the overall sales in Europe are imported from Japan, which can be treated as the long-term†¦show more content†¦Q4: What measure would you recommend Toyota Europe take to resolve the continuing operating losses? In my opinion, I would like to present three different ideas which can be considered as the good strategies to reduce and eliminate the continuing operating losses in European market. First of all, Toyota should consider how to use different financial instruments to offset and reduce the continuing operating losses result from unpredictable currency exchange rate, such as take position into different forward or future contract to hedge the potential risk which might be happened in the operation process. Secondly, the manufacturing localization must be allocated to the essential problem that Toyota required to deal with. It will require Toyota to set up a perfect plan which including choose location depends on various environmental analysis, and need to prepare a feasible coping mechanism aiming at possible occurrence of all kinds of potential problems. 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